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Morocco Takes Center Stage at Central Park's SummerStage Festival

PUBLISHED July 22, 2026
Morocco Takes Center Stage at Central Park's SummerStage Festival

A Night of Moroccan Culture in the Heart of Manhattan

On a remarkable evening, the heart of Manhattan resonated with the sounds of the Sahara's dunes and the vibrant energy of Casablanca's boulevards. The prestigious SummerStage Festival in Central Park celebrated its 40th edition by honoring Morocco as a special guest, marking a historic moment as the first African and Arab nation to receive this recognition. This momentous event is now etched in the annals of transatlantic cultural exchanges, showcasing Morocco's rich artistic heritage on an international platform.

The event was meticulously organized under the coordination of the Ministry of Youth, Culture, and Communication, in collaboration with the Moroccan Community Abroad Council (CCME), the Maroc Festivals collective—true architects of this initiative—and the SummerStage team. Titled "Morocco: From Dakhla to Casablanca," the evening attracted several thousand attendees. The audience was remarkably diverse, featuring New York music enthusiasts, numerous members of the Moroccan diaspora, prominent figures from the American music industry, and a significant diplomatic presence led by Omar Hilale, Morocco's ambassador and permanent representative to the United Nations in New York.

Omar Hilale expressed his immense satisfaction, stating, "It is a profound joy to feel the energy of gnawa rhythms and Hoba Hoba here in the heart of Central Park. Witnessing Moroccans, Americans, and UN diplomats vibrate and dance together to the beat of Moroccan music is a magical moment. This event in New York is a true success, and we hope it becomes an annual must-attend occasion. It serves as an extraordinary tool to project Moroccan culture and strengthen our diplomacy globally."

A Musical Journey Through Morocco

The evening served as a magnificent showcase of Morocco's diversity, deeply rooted in millennia-old traditions while remaining open to contemporary creation. For several hours, four emblematic groups presented an extraordinary artistic display.

The night commenced with the group Dakhla Casa Xpress, who stunned the audience with an innovative electro-hassani proposal. They invited poet Mohammed Baaiya, who traveled from Laâyoune, to the stage. His Sahrawi verses brilliantly intertwined with the electronic beats produced by NDRK, complemented by El Waar Baamar's keyboards and Anas Chlih's jazz arrangements, creating a bold fusion of nomadic heritage and urban modernity. Anas Chlih shared, "Our aim is to showcase Moroccan music in all its richness and diversity. Thankfully, it has been a success in New York. An event of this magnitude represents a completely new experience for us and fosters our growth. We not only gain popularity but also the capacity to reach a different audience."

Following this, DJ and producer Mr ID transformed Central Park's outdoor amphitheater into a vast dance floor. Presenting tracks from his new album, "Aski," he delivered an immersive performance that captivated the audience visually. Monumental projections took attendees on a sensory journey through Morocco's geography, from the dunes of Figuig to the Atlantic coasts of Dakhla.

A key figure in the festival, gnawa music master Hamid El Kasri, captivated both professionals and the public with an exceptionally intense performance. As the sounds of the guembri and crótalas resonated amidst New York's skyscrapers, the maâlem reminded everyone of the universal strength of this intangible cultural heritage recognized by UNESCO, capable of enchanting an international audience instantly.

To conclude this musical journey, the pioneering group of "Hayha Music," Hoba Hoba Spirit, delivered a vibrant concert. True to their reputation as extraordinary stage performers, they connected with the audience through a proposal that blends rock, afrobeat, and Moroccan popular rhythms. In a genuinely celebratory atmosphere, diplomats, American families, and young members of the diaspora sang along to the anthems of the Casablanca band. Réda Allali, the group's vocalist and guitarist, stated that this event serves as "a new testament to the fact that Moroccan music can captivate all types of audiences."

Beyond the magic of the performance, this Moroccan evening immediately generated significant professional repercussions. In response to the audience's enthusiasm and the quality of the performances, the SummerStage Festival's management officially announced the incorporation of Moroccan music into its exclusive "Country Music Focus" program. This initiative will ensure regular, structured, and long-term engagement with the Moroccan artistic scene by festival programmers. It also opens the doors wide to one of North America's most significant platforms for world music, providing both emerging and established talents from the Kingdom with invaluable exposure.

By making its mark on the Central Park stage, Morocco did not merely provide a memorable concert; it also reaffirmed its status as an emerging cultural powerhouse, capable of dialoguing its multifaceted identities with the world's great creative capitals.

As reported by es.le360.ma.

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